Abstract
This article analyzes a particular form of the Golden Age Theater: the triple comedies or of triple argument. It is a model that has been very little studied by the critics inside of which, as I tray to prove, can differ two paradigms: the triple comedy stricto sensu, which links three independent stories in a same text; and the tripartite comedy, which shows three steps of the same argument, one by act, and which follows an antique practice valid in the Renaissance Theater. Through the study of some significant examples, I try to justify the differences between both models, in which the poets experiments with the dramatic unities.
Highlights
This article analyzes a particular form of the Golden Age Theater
a model that has been very little studied by the critics
I try to justify the differences between both models
Summary
This article analyzes a particular form of the Golden Age Theater: the triple comedies or of triple argument. Una modalidad escasamente atendida en los estudios sobre teatro áureo son las comedias triples o de triple argumento, que en un primer momento pueden definirse como un tríptico dramático que representa tres argumentos distintos —por lo general independientes en origen— enlazados en una misma comedia. La mayoría de las obras que pueden clasificarse dentro de este subgé-
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