Abstract

Nasca culture and, particularly, Nasca ceramic iconography are held to evolve directly and smoothly out of antecedent Paracas. Yet the data reviewed in this article indicate that Paracas remains in the Río Grande de Nazca drainage, the heartland of Nasca culture on the south coast of Peru, are limited in nature, a fact that makes it difficult to derive Nasca from Paracas in Nazca. In contrast, there are rich and abundant Paracas remains in the Ica, Pisco, and Chincha valleys, at the Paracas type site itself, and along the Bahía de la Independencia. I look to the Ica Valley for the origins of the Nasca style.

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