Paper in Medieval England: From Pulp to Fiction by Orietta Da Rold

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Reviewed by: Paper in Medieval England: From Pulp to Fiction by Orietta Da Rold Megan L. Cook Orietta Da Rold. Paper in Medieval England: From Pulp to Fiction. Cam bridge Studies in Medieval Literature. Cambridge: Cambridge University Press, 2020. Pp. xx, 270. $99.99 cloth; $44.99 paper; $80.00 e-book. On April 13, 2019, a New York Times headline announced that "Cursive Seemed to Go the Way of Quills and Parchment. Now It's Coming Back." The article recounts how, since the requirement that cursive be taught to American schoolchildren was dropped in 2010, proponents have argued for its reinstatement, citing its use in historical documents and personal correspondence, its utility in note-taking, and its role in the development of cognitive and fine motor skills. These pro-cursive activists have had substantial success; as of 2022, more than twenty US states once again mandate that cursive be taught in elementary schools. The twenty-first-century story of cursive and the widespread adaptation of paper as a writing substrate in late medieval England might at first seem wholly separate phenomena. Yet it is clear that, to understand fully the function and value of either textual technology, one needs to understand the uses to which it is put, the symbolic value accorded it in the broader culture, and the conditions under which it might be accessed. Orietta Da Rold's excellent new study, Paper in Medieval England, demonstrates the [End Page 386] sometimes surprising ways that—much like modern-day cursive writing—paper's place in late medieval textual culture was varied, was situationally specific, and carried a wide range of potential connotations. Importantly, however, Da Rold also troubles the periodizing logic of the Times headline's implication that parchment, quills, and cursive are all equally obsolescent relics of a bygone age. Paper in Medieval England shows how paper sat alongside parchment in the workshops and saddlebags of scribes and merchants, valued for its affordability and portability even if its durability was sometimes questioned. This is not a story of one substrate's triumph over another, but one of affordance and mutual accommodation in ways that may not be immediately apparent without the sort of sustained attention to paper in its cultural context that Da Rold provides here. This attention yields compelling insights: one of Da Rold's most intriguing arguments is that paper and cursive script are mutually enhancing tools of communication. In a culture that increasingly valued quick writing and communication, they together allowed letters and other documents to be written and sent with new speed. This is just one of the ways in which this book sets out to "reject some of the most common mantras in paper history—low cost and low status—to tell more accurately the stories of paper across complex social and cultural scenarios" (21). To do so, Da Rold draws on multiple disciplines: economics, history, paleography, and codicology, as well as literary studies. At the core of her study is the "Mapping Medieval Paper in England" project, which catalogues hundreds of datable paper manuscripts from the thirteenth through fifteenth centuries. The substantial size of this corpus allows Da Rold to move decisively beyond the focus on a single manuscript or cluster of manuscripts that predominates in studies of early books, and to begin to chart larger patterns and trends in the use of paper in medieval England. The book's first chapter focuses on paper as a technology refined over time and as commodity that moved from Asia into Europe, finally becoming known and adopted for use in England during the thirteenth century. Da Rold shows that, while diplomatic correspondence on paper helped spread knowledge of the material throughout Europe, the most important vector in paper's availability in England was commercial links with Italy, particularly via the wool trade. Drawing on the "Mapping Medieval Paper" dataset to trace the presence of thirteenth-century paper in English archives, Da Rold argues that the most common early uses of paper were financial documents and correspondence, reflecting the basic fact that [End Page 387] "paper was associated with transportation and travel" (47). Instead of being disregarded as ephemeral, paper's...

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Speech Therapy Work On The Development Of Gross And Fine Motor Skills In Stuttering Preschoolers
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  • International Journal of Pedagogics
  • Akhmedova Zuhra

Motor skills are a set of motor reactions characteristic of childhood. Purposeful and systematic work on the development of fine motor skills in stuttering preschool children contributes to the formation of intellectual abilities, speech activity, the preservation of the child's mental and physical health. This article discusses the reforms being implemented in the preschool education system in the Republic of Uzbekistan, in particular, the content and significance of the state program “First Step” (“Pervyy shag”). The program sets the main goal as the formation of the child’s personal development, creative thinking and ability to act independently. The article also analyzes the specific features of the speech and motor development of gifted preschool children and discusses the system of corrective exercises aimed at developing their fine and gross motor skills. Effective ways to normalize speech motor skills, improve coordination, and ensure the child’s socio-emotional adaptation through logorhythmic exercises, game activities, constructive and creative exercises are shown. The results of the study confirm that logopedic rhythmics and game technologies lead to positive changes in speech, motor skills, and personal development in gifted children.

  • Research Article
  • 10.21009/gjik.162.08
EFFECTIVENESS OF SPORTS GAME METHODS ON FINE MOTOR DEVELOPMENT OF EARLY CHILDHOOD AT HIDAYAH GRENDEN PUGER KINDERGARTEN
  • May 9, 2025
  • Gladi : Jurnal Ilmu Keolahragaan
  • Nafisah Anisfiyah + 2 more

The golden age period in children is very important for a child's life in the future, this is the basis for teaching children cognitive, motor, social, and language skills. Fine motor development at an early age will be beneficial now and in the future. Children who have poor fine motor coordination or who do not develop perfectly tend to experience frustration, failure, and rejection. Fine motor skills are basic skills that need to be built at an early age . Learning while exercising can help children improve coordination and fine motor skills. This study is to determine the effectiveness of the sports game method on the development of fine motor skills in early childhood . The Study case literature review method is practiced in this writing. Children's fine motor skills were measured using sports game techniques on two respondents who received intervention; the data was then evaluated three times, namely in the first week; second; and fourth. The results of the observations were carried out for four weeks. Observations were conducted before and after the intervention. The results of observations after the intervention showed an increase in the ability and development of children's fine motor skills. The conclusion is that the method of playing sports effectively improves fine motor skills in early childhood , it is hoped that parents and teachers can apply sports game techniques both at home and at school.

  • Research Article
  • 10.71023/jukes.v2i2.27
PENERAPAN FINGER PAINTING THERAPY PADA AN.H USIA PRASEKOLAH (3 TAHUN) DALAM MENINGKATKAN KETERAMPILAN MOTORIK HALUS DENGAN PENYIMPANGAN PERKEMBANGAN DI PUSKESMAS CIMAHI SELATAN
  • Sep 15, 2025
  • Jurnal Kesehatan An-Nuur
  • Siti Zulva + 1 more

The development of preschool-aged children starts from the age of 3-6 years; not all children can pass through the developmental stages well, which is why the development of preschool-aged children is an important aspect to pay attention to. 15-20% of preschool-aged children suffer from fine motor development disorders. This study aims to determine how the application of finger painting therapy activities affects 3-year-old children with fine motor development deviations at the Cimahi Selatan Health Center. The case study method used in this research employs a descriptive design. Data collection was carried out through observation and interviews, as well as the Pre-Screening Development Questionnaire (KPSP) and fine motor assessment instruments. Deviations in fine motor development in preschool-aged children can hinder their ability to perform daily activities, such as writing and drawing. Finger painting therapy is a form of play therapy that can stimulate the development of children's fine motor skills. The results for An.H, with deviations in fine motor skill development before being given finger painting therapy according to the KPSP results, were doubtful (M) with a score of 1. After being given finger painting therapy, the results were appropriate (S) with a score of 3, indicating an improvement in An.H's fine motor skills. The results of this case study show a significant improvement in An.H's fine motor skills after continuous finger painting therapy, with a final score of 83.3% (very good). This study shows that finger painting therapy for preschool- aged children can enhance the development of fine motor skills and is effective in improving hand- eye coordination, as well as increasing the child's functional abilities in daily activities.

  • Research Article
  • 10.61132/nakula.v3i2.1666
Pengaruh Kegiatan Mencocok Gambar terhadap Perkembangan Motorik Halus Anak di RA Darun Najah
  • Mar 11, 2025
  • Jurnal Nakula : Pusat Ilmu Pendidikan, Bahasa dan Ilmu Sosial
  • Uswatun Hasanah + 2 more

This study aims to determine the effect of picture matching activities on the development of children's fine motor skills at RA Darun Najah. Fine motor skills are skills that involve coordination between small muscles, especially the hands and fingers, which play an important role in children's daily activities and academic readiness. Picture matching activities were chosen as a method to train children's fine motor skills through fun, creative, and educational activities. This study used a quantitative approach with an experimental design involving samples of early childhood children at RA Darun Najah. The instruments used were observation and assessment of fine motor skills before and after participating in picture matching activities. The results showed that there was a significant effect of picture matching activities on improving children's fine motor skills, such as grasping skills, placing objects with precision, and hand-eye coordination. In addition, this activity also contributed to improving children's concentration, focus, and problem-solving abilities. Based on these findings, it can be concluded that picture matching activities are an effective method in supporting the development of fine motor skills in early childhood children at RA Darun Najah.

  • Research Article
  • 10.1353/art.2022.0050
Talk and Textual Production in Medieval England by Marisa Libbon
  • Dec 1, 2022
  • Arthuriana
  • Marcel Elias

Reviewed by: Talk and Textual Production in Medieval England by Marisa Libbon Marcel Elias marisa libbon, Talk and Textual Production in Medieval England. Columbus: Ohio State University Press, 2021. Pp. 245. isbn: 978-0-8142-8113-0. $99.95. This engaging and elegantly written monograph explores the role of 'talk' in shaping the production and informing the reception of texts in late medieval England. It takes as its case study the figure of Richard I, whose reign in absentia and exploits on crusade catalyzed talk and textual production long after his death, and whose cultural legacy was harnessed to various ends, including to create a sense of national identity during the Hundred Years War. Two chapters are devoted to legal and visual sources, backed up by their contexts in a range of documents, while three others discuss the Middle English romance of Richard Coeur de Lion, preserved in one fragment and seven manuscripts spanning the early fourteenth to the late fifteenth centuries. Underpinning this emphasis on the Richard Coeur de Lion corpus is the belief that 'engaging with each manuscript copy of a text is essential to the praxis of close reading, historical studies, and manuscript studies' (p. 13). In the introduction, Libbon makes the case for an approach to literary history centering on talk. For her, the relationship between unwritten and written discourse is one of mutual influence: talking prompts writing, which elicits discussion and debate. Talk, Libbon argues, may be recovered by 'cross-reading different media in simultaneous circulation in a particular time and place' (p. 8) and by studying the variations among manuscript copies of a given work, for 'each manuscript copy in a textual tradition is a product of choice and relativism that preserves and responds to local talk and common knowledge or cultural memory' (p. 9). Each of the five chapters develops an aspect of her methodology. Chapter One opens the analysis counterintuitively, yet effectively, not with medieval talk but with modern scholarly talk about Richard Coeur de Lion, disseminated at conferences and preserved in articles, books, and editions. Libbon [End Page 155] argues that the scholarly tendency to focus on the more fantastical episodes of the Richard Coeur de Lion tradition (those featuring the king's demonic mother and acts of cannibalism, in particular) and to view the development of this tradition as one of consolidation (from fragmentary, historical base to 'complete' narrative, merging history and fantasy) paints a misleading picture of the extant manuscript evidence. This distortion may in part be ascribed to the shortcomings of the only published critical edition of the romance, the Austrian philologist Karl Brunner's 1913 Richard Löwenherz. This edition, Libbon shows, was influenced by talk circulating in Vienna at the time of its production, some of it by way of nineteenth-century England and Scotland. While otherwise persuasive, this chapter would have benefited from engagement with work that departs from dominant scholarly trends in either sidelining the cannibalism episodes (Lee Manion's Narrating the Crusades [2014]) or discussing their lack of popularity in late medieval England (my 'Violence, Excess, and the Composite Emotional Rhetoric of Richard Coeur de Lion' [2017]). The second chapter turns to the late thirteenth century, when Edward I's quo warranto statute required of royal subjects that they demonstrate in court continuous ancestral use of their lands and privileges since the reign of Richard. Focusing on verbatim and officially redacted legal testimonies, among other sources, Libbon argues that Edward's legislation gave rise to widespread, class-crossing public talk about the time of King Richard, which became a touchstone in the formation of individual and collective identities. Chapter Three discusses the uncaptioned battle images of Oxford, Christ Church, MS 92, an early fourteenth-century adaptation of the Secreta Secretorum made for Edward III. Libbon draws on visual, textual, and material evidence to reconstruct the talk and rumors that would have prompted contemporary readers to identify these images with Richard's siege of Acre in 1191 during the Third Crusade. The last two chapters challenge scholarship that views Richard Coeur de Lion as the product of aggregation and consolidation, from fragmentary to complete version, proposing instead that each manuscript copy reflects the active...

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