Abstract

Abstract This essay focuses on an eighteenth-century book, A Catalogue of the Different Specimens of Cloth Collected in the Three Voyages of Captain Cook to the Southern Hemisphere, which opens up alternative histories of paper in the early modern world. The work consists of a letterpress pamphlet describing the production of bark cloth (tapa), bound with samples of tapa, which were acquired from one of Captain Cook’s naval officers. In placing paper and bark cloth into relationship with one another, the work offers another vantage point from which to theorise not only the material history of paper but also the ways in which paper was dependent on an ability to ‘invisibly occupy’. Paper’s material invisibility is both part of its strength while also demonstrating the intellectual blind spots that can occur in attending solely to material histories of paper worlds.

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