Abstract

The ultimate immersive visual environment should provide three elements: (i) Stereo vision, where each eye gets a different image appropriate to its location in space; (ii) complete 360° view, allowing the viewer to look in any desired direction; (iii) allow free movement. Stereo Panoramas [137, 114, 213, 259] use a new scene to image projection that enables simultaneously both (i) stereo and (ii) a complete panoramic view. No depth information or correspondences are necessary. Viewers of stereo panoramas have the ability to freely view, in stereo, all directions. Since the scene to image projection necessary for stereo panoramic imaging cannot be done with a regular camera, stereo panoramic images were generated by mosaicing images taken with rotating cameras [137, 114, 213, 259]. As it is necessary to rotate a video camera a full circle in order to obtain a single stereo panoramic images, it was impossible to generate video-rate stereo panoramic movies. In this chapter, we present two possible camera systems, without any moving parts, that can capture stereo panoramic movies in video rate. One system uses special mirrors, and the other system uses special lenses. With such cameras it will be possible to make stereo panoramic movies of real events: sports, travel, etc. Short introductions are given in this section to panoramic imaging, stereo imaging, multiple viewpoint projections, and caustic curves.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.