Abstract
The tropics in occidental imaginaries are typically coded as either edenic paradise or as hell. It is in the latter mode that they come to be linked with zombies, diseases, and questions relating to the autonomy of the human body. In this article I first summarise historical connections between colonialism and the tropics as expressed through dealings with disease set against a background of Christian-secular cosmology. I then further think the issue with two films that approach disease and the tropics through the zombie, which I conceive of as radical heteronomy. One film, Zombi 2, is a Euro-American engagement with the tropics as imagined from a temperate zone and a Christian tradition. The other, Cemetery of Splendor, is a Thai film that engages notions of disease and the autonomy of the human body from within the tropics and a Buddhist imaginary. I tie these questions of disease, ‘zombies’ and the tropics in with more general discussions of cosmologies, including those of the moderns. The displacement of modern ontological certainty (which is imagined through the zombie and conditioned by cultural and ideological imagination) opens a space for engaging the problem of a pandemic with notions of subjectivity and corporeality. An underlying thematic throughout this article is an argument for the importance of the cinema image in dealing with bio/socio/political issues. Here, in this translation of the cinematic world into discourse we are engaged at the intersection of tropics, disease, bodies and heteronomy.
Highlights
The tropics in occidental imaginaries are typically coded as either edenic paradise or as hell
The argument presented in this paper follows the entanglements of our world, and as it progresses demonstrates how seemingly different entities – such as colonialism, film, bodies, cosmology and zombies – relate, and how these entities help us to think through issues such as disease and pandemics
This thinking sheds light onto why the Euro-American film had to end apocalyptically with the tropical disease arriving in the metropolis to engulf the bodies of empire;; while the Thai film could morph into transformed landscapes and a faraway gaze
Summary
The tropics in occidental imaginaries are typically coded as either edenic paradise or as hell. The argument presented in this paper follows the entanglements of our world, and as it progresses demonstrates how seemingly different entities – such as colonialism, film, bodies, cosmology and zombies – relate, and how these entities help us to think through issues such as disease and pandemics.
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