Panar tradition and Pulavar tradition

Abstract

The literature within it is the most important reason for the rise of Tamil as a separate classical language. Poets play a major role in the creation of such literature. Those who created literature before poets were singers. The performers are farm based artists. The organizer of the fund was called Panar. The one who played the finger according to the man was called Virali and the one who performed the koothu was called Koothar. Artists who lived during the Sangam period were collectively called Pan. Literary references to singers are available in all five volumes. Poetry melting is likely to have occurred from the first natural phenomena of Nadukal worship. References to singers are more available during the Sangam period. Thus, there is a place for the singers to explore the sense of worship and character through the pan song found in Nadukal worship. This study is performed on the assumption that the creation of poets came from the creation of the poet. In Sangam literature the beginning of some songs is like the beginning of an oral song. This article sets out to explore how the creation of poets came to be the way poets came to be with the diversity of poets 'biographies and poets' resemblance. The purpose of this article is to examine the Panar tradition and the Pulavar tradition through the songs sung by the Panars in Sangam literature.