PAINTING IN THE COLORISTICS OF THE HOUSING ENVIRONMENT

Abstract

The article highlights the role of an artwork, in particular easel painting, in the formation of the living environment. The existence of an artwork as an element and at the same time as a subject of the environment reveals the double role of art in the formation of the environment itself. From the one hand the architectural environment itself is an object of art, and, on the other hand, one more (or several) objects of art appear in this object of art, which can be related to each other. These are the qualities of the work of art itself - easel paintings, murals, works of applied art or a design object, as well as the peculiarities of its perception depending on its location and significance in the environment. Since various specialists are involved in creating the environment, today there is a clear discrepancy between the integral object of architecture and the environment as an artistic phenomenon. This often results in the loss of the original design of the architect. It is necessary to develop certain methodological approaches and practical methods to ensure the implementation of an architectural or artistic idea, to minimize non-professional interference.Revealing the theoretical foundations of the interaction of art objects with each other, including the artistic features of architecture and the subject environment, requires the involvement of new ideas from theorists and practitioners of architecture, art, psychology, aesthetics, socionics, linguistics, and semiotics If we consider such integrity as “Living environment - a painting”, then we must necessarily find or provide the environment with the properties of a work of art, and provide the properties of the environment for a work of art The interaction of artworks occurs at different levels of living space and subject environment.Achieving the harmonization of architectural and artistic features of the living environment occurs with the help of artistic techniques and adaptive properties of both the artwork and the dynamic space. The tools of matching the artistic and architectural environment are the light-shadow characteristics of the structure, shape, texture, color and the peculiarities of their scenario perception. Filling the environment with artistic artifacts creates in a person a sense of identification, satisfaction, comfort, harmony, assimilation, habitability of his environment.