Abstract
Abstract In this interview, New York-based painter Jacqueline Humphries talks about her recent practice in relation to the condition of time: this includes her own history as a practitioner, the role of gesture, the notion of the event, and contemporaneity. She addresses the appearance of ‘emojis’ in her recent work, and alludes to both literature and computer games as analogous modes of operation, each illuminating the inner workings of painterly process and its broader context within the contemporary.
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