Abstract
ABSTRACT Terrence Malick’s A Hidden Life (2019) not only tells the story of Franz Jägerstätter but also depicts Malick’s deeply Catholic understanding of art and the artist’s vocation, an understanding that portrays art, and in particular art that seeks to witness to the truth Jesus Christ embodies, as a kind of costly obedience. The author explores Malick’s Catholic vision of art and its implications for Pentecostal ministry.
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