Abstract
In 1979 the publishing house mladinska knjiga released the slovene translation of ferdinand oyono's une vie de boy (1956) as Življenje hišnega služabnika. The book appeared largely as a result of an order “from above” in what was then Yugoslavia, mandating publication of texts by writers from Nonaligned Movement (NAM) countries. Marjana Samide, the translator, had previously translated From a Crooked Rib (1970), by the Somali writer Nuruddin Farah (Upognjeno rebro [1978]), and she was given Une vie de boy by a Mladinska knjiga series editor because both authors, Farah and Oyono, were from Africa, seen evidently as a unitary place.
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