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Previous articleNext article No AccessOvid and the Female Voice in the "De Amore" and the "Letters" of Abelard and HeloiseMichael CalabreseMichael Calabrese Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Modern Philology Volume 95, Number 1Aug., 1997 Article DOIhttps://doi.org/10.1086/392449 Views: 22Total views on this site Citations: 7Citations are reported from Crossref Copyright 1997 The University of ChicagoPDF download Crossref reports the following articles citing this article:Joachim Harst Passion und Institutionalisierung, (Feb 2023): 27–46.https://doi.org/10.14361/9783839463536-002Joachim Harst Verbriefte Ehe, Daphnis 50, no.2-32-3 (Jul 2022): 522–547.https://doi.org/10.1163/18796583-12340062Manija Said Finding Ovid in Kandahar: The Radical Pastoral as Resistance to Empire in the Classic and Contemporary Worlds, Humanities 9, no.44 (Dec 2020): 146.https://doi.org/10.3390/h9040146 Bibliographie, (May 2019): 415–419.https://doi.org/10.3917/perri.minoi.2019.01.0415R. Jacob McDonie Exemplarity and Authority in Abelard’s Historia calamitatum, The Mediaeval Journal 9, no.11 (Jan 2019): 9–39.https://doi.org/10.1484/J.TMJ.5.119912Constant J. Mews Memories of an Affair, (Jan 2008): 29–55.https://doi.org/10.1007/978-1-137-05921-5_2Hannah Williams Taming the Muse: Monastic Discipline and Christian Poetry in Hermann of Reichenau’s On the Eight Principal Vices, Studies in Church History 43 (Mar 2016): 130–143.https://doi.org/10.1017/S0424208400003156

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