Abstract

The Seediq, who possessed superb weaving skills, was forced to move to Chuanzhong Island (Qingliu tribe) after the Wushe incident in the 1930s. The Japanese banned weaving, coupled with the rapid development of the textile industry at that time, leading to the ramie weaving culture disappearing in the tribe for nearly 50 years. Therefore, this research will combine the weaving patterns of the Seediq tribe with fashion design through design, a fusion of traditional and modern design elements, and give the work unique cultural creativity and fashion flavor. In the hope that through design education, we will learn about tribal products and permanent Continue the value of the business and circular economy, create a tribal fashion culture, complete a series of innovative design works of the Seediq, and achieve the research purpose of sustainable engineering and technology.

Full Text
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