Abstract

Kaplan (2018a) argues for a positive and gradient version of positional licensing in Harmonic Grammar. A chief difference between this formalism and standard positional licensing is that it predicts that harmony whose goal is to place a feature in a licensing position may overshoot its target by extending beyond the licensing position. Centralisation harmony in Tudanca Montañés bears out this prediction: though harmony triggered by a final vowel typically stops at the stressed syllable, under particular circumstances it extends into the pretonic domain. Positive gradient positional licensing is indispensable in an account of this. It plays a central role in a gang effect that drives overshoot, an interaction that cannot be replicated with standard versions of positional licensing.

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