Abstract
This article considers the specific deployment of gender and sexuality in interwar Egypt against the general backdrop of a universalising colonial modernity, which since around the middle of the nineteenth century aimed at producing a repeatable subject everywhere. It examines the magazine Physical Culture as an artefact of that colonial modernity and as a watermark of an ineffable style of performing gender and sexuality – a culmination of nearly five decades of historicising Egypt and of exercising Egyptians. That the cultivation of healthy and desirable bodies was constrained by Egypt's asymmetrical location in a global economic and political order constituted by colonialism was a well‐established fact of social life by the end of the 1920s; consequently, the problem of the modern subject in Egypt was posed in terms that were not exclusively nationalist and examined in terms that were keenly attuned to circulations of global cultural forms and discursive practices. In the resulting process of subject formation, a gendered and sexualised other was also produced, as a de‐formation, wherein the terms of its prior being would no longer be intelligible.
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