Out of the (B)earth canal: the mythic journey in Murakami Haruki

Abstract

From the start of his writing career Murakami Haruki has sent his hero on underground quests. While all, or nearly all, of his heroes accomplish their most immediate missions in the Underworld, however, few return to the everyday world truly fulfilled. This essay explores the Murakami quest in terms of myth and sacred ritual, paying special attention to ritual initiation as a form of symbolic death and rebirth. It focuses chiefly on the 2017 novel Kishidanchō-Goroshi (translated 2018 as Killing Commendatore), but also explores other Murakami fiction written since the year 2000 such as Umibe no Kafuka (2002; Kafka On the Shore) and 1Q84 (2009–10; 1Q84), in which the author began to experiment with heroes who possess sacred qualities, yet need to awaken to and accept these qualities, as well as the responsibilities that accompany them. Such heroes, I argue, possess the potential to be successfully initiated into the mysteries of the Underworld, and thus not only to succeed in their missions underground, but to achieve the rebirth and reconstitution offered the triumphant mythic hero. As a wider theme, the essay argues that, in this modern age of rationalism, fiction centered on the theme of the mythic hero is one of the venues in which the sacred and the mythical remain a living reality, offering readers an opportunity to connect with the mythic roots of their archaic past.