Abstract
Day one the project nearly killed me. The big Cadillac was driving backroads from the Tallahassee airport to Colquitt, Georgia, past shanties, piney woods, and peanut fields. On a narrow strip of tarmac hemmed in by trees, Joy Jinks, my white, So-something hostess, pulled around a log truck. The truck swung left blocking the Cadillac's path. Time opened like a door as my brain recorded the nanoseconds. It is my fantasy that I did, indeed, die that day. So much of what I used to be as an artist is dead because of that trip. Since I came to Colquitt, I wonder
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