Abstract
Because of Urjo Kareda’s achievements as Artistic Director of Tarragon Theatre over the past twenty years, his earlier achievements as a critic have been almost forgotten. Younger members of the Canadian theatre community might be surprised to learn that Urjo first rose to public prominence through his position as lead theatre critic at The Toronto Star in the early seventies. By the time he was thirty, in fact, he had become perhaps the country’s most important cultural commentator, and his four-year reign at Canada’s largest newspaper, from 1971 to 1975, coincided with one of the most exciting growth spurts in the history of Canadian theatre.
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