“Our Irish copper-farthen dean”: Swift's Drapier's letters, the “forging” of a modernist Anglo-Irish literature, and the Atlantic world of paper credit

Abstract

Situating its analysis in the late seventeenth- and early eighteenth-century Anglophone Atlantic world of print, this essay explores literature associated with experiments with paper currency in Massachusetts, Barbados, South Carolina, and Ireland. These currencies not only helped form imagined local publics for these provinces, but also produced imaginary notions of sovereignty for provincial legislative assemblies and their subjects. It comments on Jurgen Habermas's argument that a free and rational “bourgeois public sphere” emerged in Britain in this period by showing how writers like Swift, in both his British and Irish pamphleteering, persuaded readers into believing that they were part of an inclusive sovereign public. The work of Swift in defeating monetary experiments of all kinds in Ireland, written on behalf of an Anglo-Irish ruling elite that was the only demographic for whom the term “the public” truly applied, mobilized more common Irish readers with patriotic rhetoric. Swift's Drapier's Letters, in particular, thereby created an Irish counter-public to the more strictly elite “political public”—a counter-public that nonetheless became constituted as a popular market for the satire of Swift and others. This reading of the Drapier's Letters, following observations put forward by Clifford Siskin and Christian Thorne-Miano about the “invention” of British literature in this period, argues that the first modern Anglo-Irish discipline of literature is “forged” through such Swiftian publicity.