Otkrivanje različitosti i dosezanje slobode u filmskoj adaptaciji romana Soba s pogledom E.M. Forstera

Abstract

James Ivory's film adaptation of E.M. Forster's novel A Room with a View serves as a potent critique of the prevailing norms in 1980s British society. It delves into themes of individualism and cultural diversity, while also shedding light on the intricate relationship between nations and the media's role in shaping identity and civilization perceptions. Forster's works and philosophical reflections are shown to embody a profound resistance to the homogeneity, extreme chauvinism, and hegemonic imperialism that characterized British foreign policy during that period. Furthermore, this research demonstrates how Forster positioned himself as a literary activist advocating resistance against the negative aspects of globalization, using his literary creations to challenge the dominance of British culture and values. Thus, Italy is portrayed in his novels as a symbolic battleground where English identity is forged in opposition to the Italian "Other". Through Ivory's adept filmmaking, this paper highlights how English tourists in Italy exercised influence over the Italian cities while harboring biases and a sense of superiority. However, Italy also offered transformative experiences and fresh perspectives, particularly to the central character, Lucy. Her journey in Italy represents personal transformation and self-discovery, freeing her from English moral constraints and prejudices. Italy becomes a crucible for her awakening, exposing her to the beauty of the landscape, her burgeoning sensuality, and a stark reality that fosters openness and receptivity to her surroundings. This experience compels Lucy to reevaluate her societal roles and responsibilities, fostering a thirst for knowledge and empathy and ultimately leading to her newfound receptivity to diverse perspectives and cultures.