Abstract
During my studies on the connections between Black Death and culture during the Renaissance, I have come across more than once with a less known aspect of Renaissance Europe which has particularly attracted my attention. I am speaking about the concept/place of “ossuary”, a room or set of rooms containing hundreds of human bones (often arranged in the most peculiar forms) gradually becoming places of cult charged with symbolic meaning. In this brief article, I would like to illustrate the ways in which ossuaries reflect conceptions of death and resurrection through two relevant examples.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
