Abstract

Orthodox iconography is focused on the idea of representing the cosmos, the essence of God’s creatio ex nihilo, thus serving as a visual cosmology and thence - as a cosmography of all being. Icons depict the image of the archetypal world in its integrity, unachievable for the limited human abilities, and are ontologically inseparable from this archetype. Therefore, iconography has been always related with the idea of representing the world trough symbolic images. In this context, it becomes a visual cosmology, and hence - a kind of cosmography of all being. Although not identical to cartography, Orthodox iconography creates symbolic images that can be interpreted as an image of the whole world – oikoumene. One particular example in this respect relates with the semantics and usage of mandorla symbol. In the Orthodox iconography, the mandorla has its function as a vision of Divine. It can be called even Imago Dei, expressing the invisible to the eyes and incomprehensible to the mind essence of God. However, in a number of iconographic scenes the image of God is related theologically and artistically with the cosmological perceptions of Christianity about the theocentricity of cosmos. Thus, mandorla as Imago Dei often plays the role of a symbolic Imago Mundi.

Highlights

  • Resumen: La iconografía ortodoxa se centra en la idea de representar el cosmos, la esencia de la creatio ex nihilo por parte de Dios, sirviendo así como una cosmología visual y, por ende, como la cosmografía de todo ser

  • Orthodox iconography is focused on the idea of representing the cosmos, the essence of God’s creatio ex nihilo, serving as a visual cosmology and thence - as a cosmography of all being

  • Not identical to cartography, Orthodox iconography creates symbolic images that can be interpreted as an image of the whole world – oikoumene

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Summary

Iconography and Cosmography

Iconography as a symbolic expression of the truths of faith is an inseparable part of the Orthodox Christian tradition. Orthodox icons are themselves a depicted eschatology –a glimpse to the future perfect world that is to come, according to the eschatological words of St. Apostle Paul (I Cor. 13:12)— and as such, they express Orthodox understanding of the world in its entireness.[5]. Orthodox iconography is focused on the idea of representing the cosmos, the essence of God’s creatio ex nihilo, serving as a visual cosmology and thence as a cosmography of all being. Icons depict image of the archetypal world in its integrity, unachievable for the limited humans’ abilities, and are ontologically inseparable from this archetype.[6] not identical at all with cartography, iconography has been always related with the idea of representing the world trough symbolic images, cartographic symbols, and topographic elements.[7]

Byzantine Cosmology
The mandorla in Christian Iconography
Iconographic Mandorla as Imago Mundi
Hesychastic mandorla and medieval mappaemundi
Conclusions
Sources
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