Oromo Fashion: Three Contemporary Body Art Practices among Afran Qallo Women

Abstract

Peri M. Klemm In 1998, when I first visited Harar,1 a town in eastern Ethiopia, I was traveling with a young Muslim Oromo-American woman. Wherever we ventured in and around the old walled city, people stopped dead in their tracks and stared. Not at me, per se, although my light skin and hair color certainly attract attention, but at my traveling companion. She looked Ethiopian, certainly, and even Oromo. Her headscarf indicated her faith in the devoutly Islamic region of Harar and though I also covered my head as a sign of respect, for her it was culturally and religiously motivated. Unlike Oromo women in Harar, however, she usually wore the clothes of an American college student and she appeared heavier than most Ethiopian women in her T-shirts, jeans, and sneakers. In Harar, those bold enough, usually men, stopped her on the street to ask her with some insistence: What is your father’s name? Where is your family’s house? Why do you dress this way? Those living in and near Harar, we learned, were particularly curious about my friend because she could not easily be identified. I, on the other hand, as a white foreigner, was either classified as part of the growing tourist presence in Harar or as an NGO worker on temporary leave.2 Categorizing people by ethnicity, religion, marital status, social and economic class, and occupation is by no means limited to the inhabitants of eastern Ethiopia. Throughout Africa, one could argue, those not easily deposited into recognized and accepted expressions of personhood are suspect and afforded considerable attention. In Harar, however, where four major ethnicities live and work within close proximity to one another, identifying and categorizing others through visual signifiers such as clothing, hairstyle, and body markings is crucial to formulating all future modes of interaction. This is particularly overt for women. Men from all local ethnicities—Harari, Argobba, Somali, and Oromo—wear similar types of clothing, including waist wraps made of imported Indonesian textiles or pants with T-shirts, dress shirts, and jackets, which render them virtually indistinguishable from one another (Klemm 2002:196). Women, on the other hand, clearly differentiate themselves through specific dress3 ensembles that convey their regional ties, clan affiliation, class, and life-cycle stage. This information is clearly communicated to individuals who understand the complex language of dress in eastern Ethiopia. Beyond the immediate visual correspondences, more subversive political references also exist, many of which have developed during the last generation. This 1 An Afran Qallo Oromo woman transports water in jerry cans with the help of her donkey to the market. She wears a beaded bracelet and a series of thin beaded necklaces along with the large beaded ambarka necklace. Fedis, Ethiopia.