Abstract
<p>The work represents a theoretical contribution to the study of the complex semiotics of the forms of the memorial architecture of Yugoslavia, with special insight into the usage and possible continuity of prominent symbolic forms by the example of three notable Yugoslav authors: Ivan Meštrović, Bogdan Bogdanović, Dušan Džamonja. Pointing out the connections of archaic symbols with the memorial architecture of Yugoslavia, the purpose of the work is to identify the potential continuity of the semiotics of the form, but also to indicate the turn of the artistic expression that appears under the influence of the new political context in need of dominant multiculturalism and the aspiration to preserve the multicultural state model.</p>
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