Abstract
Edward Said, in his seminal work "Orientalism" (1978), is credited with coining the term "orientalism," which refers to the depiction of Eastern nations from a Western point of view. While concurrently promoting imperialist ideals, this representation frequently romanticizes and exoticizes the civilizations that are now being discussed. In the 19th century, Orientalism emerged as a popular artistic and literary style in the Western world. Painters such as Eugène Delacroix, who were essential in influencing Western conceptions of the East, had a major impact on the development of this style. Delacroix's artworks, such as "The Fanatics of Tangier" and "The Jewess of Tangier," are evidence of his profound curiosity with the Eastern region of the world. The purpose of this study is to explore Delacroix's depiction of Morocco in relation to the larger implications of Orientalism. The research focuses on characteristics of exoticism, themes that are dramatic and violent, and gender stereotypes.
Published Version
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