Organicism, womanhood and domesticity in Anne LaBastille's Woodswoman saga

Abstract

Anne LaBastille's Woodswoman saga presents an ecological approach to organicism that aims to recuperate the notion of nature and the wilderness as live organisms in perpetual, cyclical transition. LaBastille's conception of nature as an animate entity to which the self is intimately connected unleashes her discursive advocacy for a necessary reversion to a communion with natural rhythms. Her hermitage represents a voluntary conversion into the laws of nature, a conversion which results in the identification of the self as a self-in-place, and in the redefinition of the categories of domesticity, privacy and territoriality from an ecofeminist perspective. Such redefinitions lead to an implosion of the notion of femininity itself: as LaBastille negotiates between the categories of womanhood, the wilderness, and private and public domains in accordance to organicist principles, she opens a new discursive space that acknowledges women's need for a territory of their own where they too can become independent selves-in-relation.