Abstract

Helen Garner’s literary non-fiction book This House of Grief (2014), as well as her two essays ‘Why She Broke’ (2017) and ‘Killing Daniel’ (1993), all deal with instances of filicide. This article begins by offering a reading of these writings in which I argue that they perpetuate a mythologisation of family violence which prevents us from viewing that violence as an ameliorable social injustice. I look at Rita Felski’s injunction to engage more deeply with what she calls ‘ordinary readers'’ uses of literature as a way to question the relevance of the kind of critique put forth in the first section; ultimately, I find that the context of Garner’s popular reception actually vindicates a critical focus on the political import of the writing.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.