Abstract
Abstract Imre Kálmán’s operetta Die Csárdásfürstin premiered in Vienna in 1915 and was soon an international success. It appeared in Budapest as Csárdáskirályné (1916), in Moscow as u (1917), in New York as The Riviera Girl (1917) and in London as The Gipsy Princess (1921). By considering its different stagings, this article focuses on the reciprocal ways whereby Western and Eastern Europeans interact, influence, react and respond to each other. Thus the aim of the article is to bring together the different formulations of European and international theatre to show the various networks, connections and relations among the different theatre traditions both within and outside Europe; and to set up a methodology of theatre historiography which goes beyond European orientation, the East/West divide and the image of the ‘West’ as a single and unified entity.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
