Abstract

This case study on the work and influence of four Jewish artists in Glasgow during the early years of the Second World War reviews cultural transfer within the wider context of Jewish history in Scotland. This review suggests that this incidence of cultural transfer was mainly achieved through personal contacts and networks and emphasises the importance of the presence of an established Jewish population. It also shows that parts of Scottish society were prepared to absorb refugee influences, while the Jewish artists under review adopted novel forms of cultural production, incorporating their individual and group experiences as well as the influence of the wider society.

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