Abstract
Arnold Schoenberg is undoubtedly one of the most important western composers in the twentieth century. The main purpose of this article is to provide an analysis of his Three pieces for piano, Op 11, No.2. All the characters of this piece, just like the form, the melody, the harmony, the dynamics, the range and the time signature will be analyzed. This piece is similar to the first piece of his Three pieces for piano. Schoenberg continues his musical experiment in the field of atonality.
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