Abstract
Abstract Between the tensions of Jane Bennett’s human-nonhuman heterogeneous assemblage and Ian Bogost’s alienness of things to each other and humans, the author questions the agency of a prosthesis by speculating on its daily experiences and its thing-power (Bennett) on the user. As a visual essay in the form of shaped prose, the thingness of textual components becomes evident as their proximity and isolation across the surface of the page or at page breaks forces the reader to move back and forth between content and form. Thus, we may also consider how words are both manipulated in the construction of assemblages and have the power to shape ideas and aesthetic ideals that necessitate the existence of some objects, including prostheses.
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