Ontologik poetika — badiiy matnni o‘rganishda yangi yondashuv sifatida

Abstract

This article discusses the research on ontological poetics and its synergistic basis knowledge. The results of theoretical and methodological studies of synergetics are based on universal approaches to solve philological problems and creating models for the interpretation of ontological poetics. The new model of reading, analysis of the subtextual layer in future will serve as a methodological basis for the interpretation of the immanent problems in the process of self-development of the artistic text (system). Synergistic paradigms increase the practical significance of philological research as a fundamental basis of ontological poetics. Ontology poetics expresses the deep layers of the relationship of the universe and man which form the basis of being. This approach, to the artistic text, reveals the original meanings of metaphors, studies the author’s worldview. The ontological approach is closely related to traditional text methods. A synergistic text is one of a series of indefinable, indirect, subtle, transcendental meanings that are not defined in linguistic terms of lexemes and represents a set of opposing relations and processes. This implies the need for an ontological approach to the analysis of literary text. Embodiment of the original meaning in the artistic text, which are symbols of the ontological world view and characteristics of the historical and cultural heritage, they are expressed in the strongest, most intense context and spatial-temporal events in which they move (life and death, love-hate, truth-deception existence-absence). The linguistic and metaphorical meanings of expressions are combined with the cultural heritage of the era. The study of poetic ontology of subtext is considered as an important approach to the interpretation of Sufi literature.