Abstract
This essay explores major movements in film history through the lens of Romeo and Juliet adaptations, including films by Irving Thalberg and George Cukor, Renato Castellani, Franco Zeffirelli, Baz Luhrmann, and Deepa Mehta. More specifically, the essay offers a critical examination of theoretical developments in the notion of realism—including classical realism, neorealism, realismo rosa, and post-realism.
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