Abstract
Looking back to Biography ’s 2003 “Online Lives,” the coeditors reflect on continuities and analyze new developments in Internet-based auto/biographical production since the advent of Web 2.0. They outline recurring themes in the essays in Online Lives 2.0 , which include the merging of public and private life, online self-curation, the socioeconomic dimensions of online self-presentation, and the filtering and falsification of lives in social media, and they explore the implications of these issues for auto/biography studies.
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