Abstract
Poet Fernando Pessoa (1888-1935), Portugal's literary glory, is also known to have penned a not inconsiderable corpus of sociological and politological reflections. This essay collates all such original material and glosses it with a view to uncovering Pessoa's religious true colours, and by so doing, goes on to argue that it is no accident, poetics aside, that western cultural intelligentsia finds it expedient to promote the literary output of personages like Pessoa who, in one form or another, preach an ultra-conservative gospel. Though he is not typically recognised as a thinker of the Right at all, the article's thesis is that Pessoa not only cuts a “fascist” figure in the conventional (Leftist) tenor of the epithet, but that the category itself of Fascism ought to be torn off its historical (pro-Liberal) contextualisation and radically reformulated as the default entomological categorisation of modern forms of society, and turned thereby into the norm against which exceptions need be counted, not the other way around. In light of this paradigmatic shift, Pessoa's considerations on selfishness, patriotism, and social dynamics afford an ulterior revelation of the anti-compassionate agenda of a type of System, ours, so keen on promoting thinkers of his ilk.
Highlights
Poet Fernando Pessoa (1888-1935), Portugal's literary glory, is known to have penned a not inconsiderable corpus of sociological and politological reflections
This essay collates all such original material and glosses it with a view to uncovering Pessoa's religious true colours, and by so doing, goes on to argue that it is no accident, poetics aside, that western cultural intelligentsia finds it expedient to promote the literary output of personages like Pessoa who, in one form or another, preach an ultra-conservative gospel
Though he is not typically recognised as a thinker of the Right at all, the article's thesis is that Pessoa cuts a “fascist”figure in the conventional (Leftist) tenor of the epithet, but that the category itself of Fascism ought to be torn off its historical contextualisation and radically reformulated as the default entomological categorisation of modern forms of society, and turned thereby into the norm against which exceptions need be counted, not the other way around
Summary
Poet Fernando Pessoa (1888-1935), Portugal's literary glory, is known to have penned a not inconsiderable corpus of sociological and politological reflections. This essay collates all such original material and glosses it with a view to uncovering Pessoa's religious true colours, and by so doing, goes on to argue that it is no accident, poetics aside, that western cultural intelligentsia finds it expedient to promote the literary output of personages like Pessoa who, in one form or another, preach an ultra-conservative gospel Though he is not typically recognised as a thinker of the Right at all, the article's thesis is that Pessoa cuts a “fascist”figure in the conventional (Leftist) tenor of the epithet, but that the category itself of Fascism ought to be torn off its historical (pro-Liberal) contextualisation and radically reformulated as the default entomological categorisation of modern forms of society, and turned thereby into the norm against which exceptions need be counted, not the other way around.
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