Abstract
“One” argues that the structural problem of the relation of zero to one has always been a presiding concern in Miller's work. It shows what is at stake in the problematic figure of the zero through a philosophical consideration of foundations for criticism, and relates this thinking to the issue of the foundational grounds for the historical event. Using the literary examples of Joyce and of Wyss, and the philosophy of Pascal, de Man and Frege, the paper argues that the real drive in Miller is towards a specific form of democratic criticism.
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