Abstract
This essay explores the use of swear words in stand-up comedy. Employing examples from the performances of two comedians who work the Midwest regional comedy club circuit, I analyze the non-referential pragmatic functions served by employing the register of dirty words. I critique flat-footed readings of the comedic use of obscenity, including that which informs recent Supreme Court censorship rulings, and argue instead for recognition of the communicative artistry displayed in such work.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
