Abstract
This article analyzes the links between the first travel accounts of the New World and the production of cartographic images of America in Guillaume Le Testu’s Cosmographie Universelle (1556). Produced in 1556 and dedicated to Admiral of France Gaspard de Coligny, the Norman pilot’s manuscript atlas was created in the context of growing French colonial interest in Terra Brasilis. The transposition of America’s founding narratives into cartographic images as presented in Le Testu’s Cosmographie is interpreted here as an act of translation lato sensu. The translation of the continent’s travel accounts in the strictest sense of the word, and the adaptation of New World information to new audiences and political contexts are also examined in the analysis of this manuscript nautical atlas.
Highlights
This article analyzes the links between the first travel accounts of the New World and the production of cartographic images of America in Guillaume Le Testu’s Cosmographie Universelle (1556)
Information about these lands, which Le Testu himself acknowledges were unknown to ancient geographers, was available in the travel accounts of contemporary voyagers, whose descriptions Le Testu most likely transformed into cartographic images in his nautical atlas
Akin to other manuscript or printed early modern maps (Van Duzer, 2015, p. 51; Davies, 2016, p. 128),8 the Cosmographie synthesizes the information and textual images enclosed in the first travel accounts of America to produce cartographic motifs
Summary
This article analyzes the links between the first travel accounts of the New World and the production of cartographic images of America in Guillaume Le Testu’s Cosmographie Universelle (1556).
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