Abstract
Representations of urban Africans in ‘black films’ have kept pace with changing apartheid policies and legislation governing the migration of Africans to South African urban centres. ‘Black films’ have gone from depicting Africans in urban centres as an undifferentiated mass to more nuanced and complex representations that reflect a changing society. However, what has remained constant in all the films discussed in this paper is the thematic preoccupation with African crime and criminality, as well as the compulsion to moralise that crime doesn't pay.
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