Abstract

ABSTRACT In the everyday life of Moroccans and at a very symbolic level, each time that the monarch engages in different activities related to various socio-economic fields within the country or in relations to international relations, television viewers are reminded of the centrality of the monarchy in the Moroccan political scene, and of the relative irrelevance of other political actors as well as the weakness of the members of government in strategic matters. During the recent ‘blocage’ that Abdelilah Benkirane was faced with as he was attempting to constitute of the government following the 2016 elections, the activities and travels of the monarch were regularly and widely reported on television and radio. This reporting clearly and symbolically reinforces in the minds of people the importance and dominance of the monarchical institution and hence minimizes the weight and significance of other political actors and the multiplicity of parties that garnish the Moroccan political scene. This article deals with the ‘relevance’ and ‘irrelevance’ of the Moroccan political parties in the context of what I call the Moroccan ‘political theatre’. I argue that the parties are both irrelevant as far political power is concerned but they are simultaneously relevant in terms of sustaining the nature of the political regime in Morocco.

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