Abstract
This article examines the sacral meaning of the chordophone musical instruments in the scenes of the Mocking of Christ in Serbian medieval art (1166-1459), preserved only in two monumental ensembles - in the church of Christ Pantokrator in Decani Monastery (1338-1339) and in the church of the Holy Archangels Gabriel and Michael in Lesnovo (1346-1347). The instruments in question are one cithara (Byzantine lyre) and one psaltery. Selected examples of the comparative material, as well as the written sources, prove that these musical instruments symbolically point to Christ?s suffering.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
