Abstract
The paper seeks to explore the concept of the secondary world as developed in Susanna Clarke’s 2020 fantasy novel Piranesi. The analysis is conducted in the context of the evolution of the literary motif of fairy abduction between the classic medieval texts and its current incarnations in modern speculative fiction. The argument relates the unique secondary world model found in Clarke’s novel to the extensive intertextual relationship Piranesi has with the tradition of portal fantasy narratives, and discusses it in the context of the progressive cognitive internalisation of the perception of the fantastic which has taken place between the traditional medieval paradigm and contemporary fantasy fiction.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
