Abstract
In the historical observation of Harlem Renaissance that has already been epitomized in the historical elaboration in the poetic production of Langston Hughes, what his readers have been insatiable with is that although both international and Chinese scholars and critics have not only made various valuable explorations of his poetic texts but also made a mention of the lower social position and their unfair treatment of the dark brothers in the American society dominated by whites’ culture, they have hardly devoted their studies to this poetic text titled I, Too, Sing America to quest for the historical reality embedded euphemistically in the textual interweavement of this poetic text. Owing to their failure to do so in their studies, this paper will try to make an exploration of the euphemistic representation of the profound reality grounded on poetic historicity of this poetic text that dwells on historical reality of the miserable lots of those dark brothers.
Highlights
To begin with the valuable exploration of the historical reality as has been carried in the analysis of this poetic text titled I, Too, Sing America, it is better to give an elaboration to the research background of this essay in a historical, social as well as cultural sense in association with the textual particularity of this poetic text in combination with its producer Langston Hughes who has been deemed as “Poet Laureate of the Negro Race” and an important figure for both the greater
In the historical observation of Harlem Renaissance that has already been epitomized in the historical elaboration in the poetic production of Langston Hughes, what his readers have been insatiable with is that both international and Chinese scholars and critics have made various valuable explorations of his poetic texts and made a mention of the lower social position and their unfair treatment of the dark brothers in the American society dominated by whites’ culture, they have hardly devoted their studies to this poetic text titled I, Too, Sing America to quest for the historical reality embedded euphemistically in the textual interweavement of this poetic text
Social and cultural ground of what has been dealt with above, it can be seen in a clear fashion that the research aim of this essay to meet this academic needs of digging out the historical reality from the textual reality of this poetic text lies in the incontestable fact that this poet has a great impact on the historical evolution of African Americans, for he has turned out to be aware of the great importance of African-American culture as has been dealt with in the impressive lines of his poetic texts
Summary
To begin with the valuable exploration of the historical reality as has been carried in the analysis of this poetic text titled I, Too, Sing America, it is better to give an elaboration to the research background of this essay in a historical, social as well as cultural sense in association with the textual particularity of this poetic text in combination with its producer Langston Hughes who has been deemed as “Poet Laureate of the Negro Race” and an important figure for both the greater.
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