Abstract
There are mainly four forms of modes, that is, language, pictures, music and songs and video productions, among which language and picture modes can be further divided into hand operation and automatic operation. They can be combined in various ways, resulting in different modality combinations, but we still need to explore the regularities of these groupings, in particular the causes and functions which lead to these regularities. Therefore, the article discusses three chief points: (a) the meaning of a particular piece of multimodal prose to be realized by different modes; (b) these modes to be used singly or jointly; and (c) one or two modes playing the chief role, and the rest complementary roles under the circumstance when multiple modes were chosen. This endeavour may help with our creation and appreciation of multimodal prose.
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