Abstract

The Monkey King: Hero Is Back being a successful attempt of 3D computer animation in cinemas in inland China. As one of the main characters, the Monkey King has a direct connection with the success of the film. This paper aims to understand the inheritance and innovation of the Monkey King's character image in this animation by comparing the identity, image and character of the Monkey King with the image design of the Monkey King in previous artistic images.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call