Abstract
The abuses in the presentation of the Holocaust in art, film, and literature have been extensively studied in contemporary humanist studies. The analyses point to the phenomenon of the Holocaust’s McDonaldization, its political instrumentalization, ideological manipulation and commercialization. The article is an attempt at a critical examination of a different dimension of the phenomenon in question, hitherto overlooked, namely the abuses in Holocaust research. The author points at a number of dangers which appear in the academic Holocaust discourse – from the “source myth” to narcissistic temptations
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
