On the 3D Acoustic Analysis in UNESCO Sites: The Example of San Vitale, Ravenna, Italy

Abstract

The study and analysis of the sound field’s 3D properties has been strongly enhanced in recent years after spatial properties of sound propagation have been acknowledged to be important during the design or correction of theatres and auditorium. Besides, a proper assessment of spatial accuracy is requested for 3D sound reproduction systems, initially designed for acoustical virtual reality and now also employed in the entertainment/cinema industry. Often only monoaural or binaural measurements are performed by means of omnidirectional microphones and dummy heads, although international standards like ISO 3382/1:2009 also define some “truly spatial” parameters such as JLF and JLFC. Even though the two latter parameters are derived from measurements made with a pressure velocity (p/v) microphone, they still represent a 2-channel measurement. 3D Impulse Responses (4-channel B-format) have for many years been measured and employed for sound reproduction. Recently, higher-order 3D Impulse Responses have been measurable thanks to the availability of compact microphone arrays employing a much larger number of transducers. In this paper, a procedure for measuring and analyzing the complete spatial sound information is presented, which is aimed to create easy-to-understand images and videos showing the direction-of-arrival of the room reflections. The description of this technique is emphasized and applied in the Basilica of San Vitale, Ravenna, Italy, which represents one UNESCO site.