Abstract
This article introduces “Demon Time” as a theoretical concept for examining Black time geographies. Building off the theorization of demonic space, I theorize that demon time is an alternative Black temporality. I use the soundscapes of the Black church, the Black barber/beauty shop, and the strip club to think through demonic temporality as a mode of reimagination, a reimagining of Black subjectivities, a mode of recovery, an iterative process of recovery from anti-blackness, and a mode of resisting, a continual resistance of normative logics and western ideologies. These Black soundscapes produce Black timescapes which are anchored to time-spaces of Black cultural production. Thus, demon time offers us a way to reorient how we understand Blackness in moments of economic, social, and ecological crisis, while also allowing us to think about the incommensurability of Black temporalities across Black regions in the US.
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