Abstract

Is there truth in history? Historians are commonly expected to produce ‘facts’ and to be ‘objective’. If they teach the history of Christianity, their audience sees in them the depositors of the ‘truth’ on the history of church. Showing the contradictions of the church’s discourse in the past and highlighting the essentially transient nature of church doctrine are perceived as a threat. Yet, our knowledge of the Christian past is provisional and limited. It depends on the quality of the historical sources at our disposal. Consciously or not, it is always the result of a process of knowledge construction. The aim of this article is to explore the triple challenge – pedagogical, pastoral and intellectual – that researchers in history of Christianity face in the exercise of their profession. Historians trained in the tradition of historical criticism consider that an historical narrative can claim a certain degree of approximation of the truth if the documents on which it is based pass the test of authenticity, reliability and validity. Without necessarily denying that truth exists somehow and somewhere, postmodern historians – and this also applies to Christian history – insist that any form of historical knowledge is constructed and that all approaches to truth are situated in terms of period, geographical location, social environment, class, gender, age and race. The study of history of Christianity brings discomfort. But in the end, one gains from confronting the critical challenges of the discipline. Faith will come out stronger if it faces the reality of the human condition.

Highlights

  • This article is dedicated to long-time friend and colleague Christina Landman whose work stands at the intersection of church history, oral history, practical theology and feminist theology

  • Modern historians believe that a narrative of the past can claim a certain degree of approximation of the truth if the documents on which it is based pass the test of authenticity and reliability

  • Postmodern historians say, all history, as rigorous and critical as it can be, is fiction because it relies on the historical imagination, the social and cultural positioning and the literary talents of the historian who developed it into a narrative

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Summary

Introduction

This article is dedicated to long-time friend and colleague Christina Landman whose work stands at the intersection of church history, oral history, practical theology and feminist theology. Modern historians believe that a narrative of the past can claim a certain degree of approximation of the truth if the documents on which it is based pass the test of authenticity and reliability.

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