Abstract

The following pages chart a passage through measures 12-17.5 of the Trio, Op. 45, of Schoenberg. These measures were chosen for examination because they form an intuitively grasped, completed phrase, and because much of what is in them is a synthesis of previous parts of the piece, to be developed in later sections. In the course of viewing mm. 12-17.5 I have tried to indicate some of the many paths of progression to, and a few of those away from, these measures, by sightings and soundings, fore and aft.

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